Wendelien van oldenborgh biography definition us history

Wendelien van Olderborgh uses the cinematic format as a methodology for production and as the basic language for various forms of presentation. Her work often involves public shoots that capture interactions between individuals in locations that invoke political and historical themes. In the process, she collaborates with participants to guide the work to its final outcome.

Recently, her practice has been informed by research on the subjects of colonialism and cultural difference, social struggle and modernity—issues embedded in the structures of our environment.

Wendelien van Oldenborgh is known for

She is a winner of the Heineken Prize for Art, and since she has been a member of the Akademie van Kunsten in the Netherlands. Images Letters Stones, Lenticular prints, single-channel projection 25 min. Wendelien van Oldenborgh collaborates with professional and nonprofessional actors and performers to generate films that explore politics, history, and contemporary society.

Images Letters Stones addresses the history of modernism—the international movement that developed in the late nineteenth and early twentieth centuries as a response to the advancements of modern life—through the lens of race and gender. The words are partly drawn from archival materials related to their lives, including writings by Bauhaus educators, friends, family, lovers, activists, communists, architects, and civil rights leaders who were their contemporaries.

These voices are put in dialogue with those of housing activists and scholars active today in Kharkiv, Ukraine; Rotterdam, the Netherlands; and Chicago. Photo by Ari Versluis. Berlin, Germany Wendelien van Olderborgh uses the cinematic format as a methodology for production and as the basic language for various forms of presentation.

Photo by Kendall McCaugherty.