Pieter bruegel biography paintings

Pieter bruegel nationality

Pieter Bruegel I ca. A longtime resident of Antwerp, the center of publishing in the Netherlands and a vibrant commercial capital, Bruegel brought a humanizing spirit to traditional subjects and boldly created new ones. After a trip to Italy , he began a long-standing association with Hieronymus Cock, whose Antwerp publishing house, At the Four Winds, produced prints on a range of subjects, from parables to landscapes.

Between and , Bruegel made over forty designs for engravings , capitalizing on the strong market demand for images in the style or manner of Hieronymus Bosch ca. The powerful compositions, brilliantly organized and controlled, reflect a sophisticated artistic design. Bruegel was, in fact, patronized mainly by scholars, wealthy businessmen, and connoisseurs, and was on friendly terms with some of the most prominent humanists of the Netherlands, including the cartographer Abraham Ortelius and the publisher Christoph Plantin.

Working in the aftermath of the Reformation , Bruegel was able to separate his landscapes from long-standing iconographic tradition, and achieve a contemporary and palpable vision of the natural world. These panoramic compositions suggest an insightful and universal vision of the world—a vision that distinguishes all the work of their remarkable creator, Pieter Bruegel the Elder.

Wisse, Jacob. Orenstein, Nadine, ed. Pieter Bruegel the Elder: Drawings and Prints. Exhibition catalogue. New York: Metropolitan Museum of Art, See on MetPublications. Jerome in the Wilderness S. The Harvesters Pieter Bruegel the Elder.