Edward hopper biography new york interior concepts

Edward Hopper frequently represented people as they appeared to him in brightly lit windows seen from passing El trains. This unconventional view suggests the impersonal—and yet strangely intimate—quality of modern urban life, as glimpsed voyeuristically through a window. The woman's clothing and gesture are reminiscent of the iconic ballet dancers painted by French Impressionist Edgar Degas, whom Hopper singled out as the artist whose work he most admired.

By including a reference to his past painting, Hopper challenges the impression that we have caught a fleeting glimpse of an anonymous scene. Classification Paintings. Hopper Bequest. Al frente, se ve una pila de tela. Hay una manta roja y algo de color negro. Jane Dickson : New York Interior , , is somewhat unusual for Hopper compositionally in that it's absolutely centered, and it's one-point perspective as opposed to diagonals.

Jane Dickson : So right in the center of the composition, we see the somewhat muscle-y shoulders and back.

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She's wearing a strapless dress, and she's sewing. And to me, she looks like an aging ballerina. Jane Dickson : You see black on either side, which really sort of locks her in there. And then there's these hillocks of fabric that are between us, the viewer, and her. So there's many obstacles to her, and she's in her own fantasy world.

So it's like, she's imagining a life that maybe she's already passed.